Wright's Indian Art
TOLL FREE 1-866-372-1042
Wrights Member Login
Username:
Password:
  CID Sign Up for Membership
Wright's Indian Art
Wright's Indian Art Wright's Gallery Newsletters Wright's Gallery Testamonials Wright's Gallery Purchase Wright's Gallery Contact Us Wright's Gallery About Us Sculpture Rugs Pottery Paintings Masks Kachinas Jewelry Glass Folk Art Fetishes Baskets Wright's Gallery Nations/Tribes Wright's Gallery Artists Wright's Gallery Specials Wright's Gallery New Items

Wright's Indian Art > Kachinas

Kachinas are messengers - intermediaries between the heavens and mankind on earth.

Kachinas help the Pueblo tribes of the Southwest; farmers who depended primarily on crops for survival. Succesful crops, in turn, depended on the scant and capricious rainfall of the high desert. The Hopi and Zuni, located far from rivers, especially needed the divine intervention of kachinas to ensure harvests in an arid climate.

Harvested crops meant survival; having enough to eat brought good health, abundance, happiness. So, most ceremonial dances involve some form of petition to maintain or regain a bountiful harvest and plentiful game.

Since the culture was strictly oral, carvings of the various kachinas were used as visual textbooks - to pass on the lore to the children. When not listening to stories about the kachinas and their roles in ceremonies, the children played with the "dolls" as they are called.

In addition, carving the dolls is a creative outlet for the carver. When not in play, they would hang from a nail on the wall, serving as decoration in the home. Since the mask and headdress were crucial to recognizing the different kachinas during ceremonies, the bodies were carved in a rudimentary manner.

Now, carvers create kachinas to be sold but they are no less "authentic" than the old ones. It is still important that the heads are accurately depicted; how the bodies are carved is up to the individual. Similarly to the evolution of fetish carvings, kachinas changed through the years, becoming more realistic and detailed, as carvers responded to the growing interest of collectors. In the 1970's and 1980's, the trend was even to adorn the figures in action with real shells, beads, leather and feathers - just like the human dancers who donned the masks during ceremonies.

Today, for some carvers, there is a swing of the pendulum back to a more primitive look. Other carvers prefer a more elegant, but equally abstract effect to the bodies. As in all genres of Indian art, creativity is pushing the boundaries.

Wright's Indian Art: Kachinas:  Hopi
Hopi
Wright's Indian Art: Kachinas:  Others
Others
Wright's Indian Art: Alan E Lasiloo
Wright's Indian Art: Alan E Lasiloo
Featured Artist
Alan E Lasiloo
Wright's Indian Art: Dan Jackson
Wright's Indian Art: Dan Jackson
Featured Artist
Dan Jackson

Size Guide
 
  Wright's Indian Art Newsletters
Wright's Indian Art Newsletter August 2010 Wright's Indian Art Newsletter September 2010

1100 San Mateo Blvd NE Ste 21 (at Lomas Blvd) Albuquerque, NM 87110  Phone: 505-266-0120   Toll Free: 1-866-372-1042
Contact Customer Service   Copyright © 2002 - 2010   Design & graphics by Potts Software & Wrights Indian Art
Valid XHTML and CSS